Two words were pulled blindly from a bowl: Chaos and Soap Dish. The goal of the project was to procure a specific emotional response through physical object by use of color, material, form, and narrative. In my search for visual language which would inspire the design, I became drawn in two directions.

Firstly, to Mandelbrot's fractals, and their mathematically sporadic nature. Secondly, to Gaetano Pesce's Pratt Chair process. By altering his mixture density with each chair, they became less and less structured, while still obeying certain constraints. I wanted to emulate his process, while straying between the boundary of his implementation of constraint, and my interpretation of chaos as being boundless.